I don't like the guns for similar reasons, and agree that it was a plot point that punching a hole in the side wasn't disastrous. (For instance it allowed us to see the type of snowflake which couldn't exist if it were too cold.) I also thought the movie went out of its way with the arm-freezing scene to make note of the altitude (suggesting it was even colder outside the train at that point than perhaps usual), plus I tend to figure they erred on the side of overestimation when it came to exposure, kind of like how to declare someone dead you listen for a heartbeat a good amount of time beyond when you'd expect to hear one.
To justify the guns (even though I like it better when there aren't guns), I see them as symbolic of two things (at least at the beginning; I don't love their reappearence): they're an echo of the way the privileged class treats the lower class generally (as people they want to keep controlled and fearful, but at a comfortable, untouchable, impersonal distance), and they're a sign of the ways the people on the train (who weren't born on the train) continue to hold on to biases and opinions based on a world that no longer exists. We use guns because officials use guns and guns are scary. We get to be in first class because we are the first class people.
(no subject)
Date: 2014-08-09 08:13 pm (UTC)To justify the guns (even though I like it better when there aren't guns), I see them as symbolic of two things (at least at the beginning; I don't love their reappearence): they're an echo of the way the privileged class treats the lower class generally (as people they want to keep controlled and fearful, but at a comfortable, untouchable, impersonal distance), and they're a sign of the ways the people on the train (who weren't born on the train) continue to hold on to biases and opinions based on a world that no longer exists. We use guns because officials use guns and guns are scary. We get to be in first class because we are the first class people.